The cavernous space of HOR Berlin pulsed, a single organism breathing in the thrum of Joseph Capriati's set. The sound wasn't merely heard; it was felt, a physical force that resonated deep in the chest, a visceral wave crashing over the rapturous crowd. The Funktion-One sound system, a legendary beast in its own right, delivered a sonic tapestry of brutal, driving techno; each kick drum a seismic tremor, each synth line a laser beam slicing through the darkness.

Light, too, was a weapon in Capriati's arsenal. Blinding strobes momentarily erased the world, replaced by kaleidoscopic washes of colour that painted the faces of the dancers in shifting, hypnotic hues. Intricate laser patterns danced across the smoke-filled air, weaving intricate geometries that seemed to echo the complexity of the music itself. Beams sliced through the bodies, transforming the crowd into a constellation of ecstatic points of light.